Primordiality of Salvatore Scarpitta

  • Antonella Chiazza University of Palermo
Keywords: art, informal art, informal material

Abstract

The article analyzes the artistic research by Salvatore Scarpitta, one of the major protagonists of the international art scene after the Second World War, in its different phases: expressionist, abstract-figurative and informal. Through a historical-critical and aesthetic approach, proceeding onto reading some important works of art through an interpretative methodology, a further development of critical thinking by the artist's production.

Author Biography

Antonella Chiazza, University of Palermo

Architect, PhD in Recovery of Ancient Contexts and Innovative Processes in Architecture. She is the author of the monograph "Il Genio di Palermo" (2011), articles and essays in national and international journals.
E-mail: antonellachiazza@tin.it

References

Celant, G. (1972), Salvatore Scarpitta, catalogo della mostra, Galleria Notizie, Torino.

Dorfles, G. (2015), Salvatore Scarpitta, in Sansone, L. (ed.), Gli artisti che ho incontrato, Skira.

Sansone, L. (2012), Salvatore Scarpitta, introduzione al catalogo della mostra Salvatore Scarpitta, Galleria d’Arte Modena di Torino.

Published
2017-06-30
How to Cite
Chiazza, A. (2017) “Primordiality of Salvatore Scarpitta”, AGATHÓN | International Journal of Architecture, Art and Design, 1(online), pp. 117-122. doi: 10.19229/2464-9309/1182017.
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