Communicating the museum between analogue and digital. Interactive multimedia design experience
DOI:
https://doi.org/10.19229/2464-9309/10182021Keywords:
museum communication, multimedia and interaction design, digital storytelling, user experience, immersive environmentsAbstract
This paper deals with the relationship between museum communication and information technologies, providing an overview of the main international references that witness the evolution of museums between analogue and digital, up to the radicality of immersive environments. The theoretical apparatus is integrated by the proposal of a methodology between multimedia and IoT, experimented in order to create synergies between research and third mission, implemented through the interdisciplinary project Interactive Multimedia Museum Experience, a model of museum communication that in its variants has been validated in recent years in prestigious museum institutions in the city of Rome.
Downloads
Article Metrics Graph
References
Agostinelli, S., Battaglini, F., Catarci, T., Dal Falco, F. and Marrella, A. (2019), “Generating Personalized Narrative Experiences in Interactive Storytelling through Automated Planning”, in Gamberini, L., Pittarello, F. and Spagnolli, A. (eds), CHITALY ’19 – Proceedings of the 13th Biannual Conference of the Italian Conference SIGCHI Chapter Designing the next interaction, Padova, 23-25 September 2019, Association for Computing Machinery, New York, pp. 1-5. [Online] Available at: diag.uniroma1.it/marrella/papers/CHItaly2019.pdf [Accessed 11 October 2021].
Ardizzi, M., Ferroni, F., Siri, F., Umiltà, M. A., Cotti, A., Calbi, M., Fadda, E., Freedberg, D. and Gallese, V. (2020), “Beholders’ sensorimotor engagement enhances aesthetic rating of pictorial facial expressions of pain”, in Psychological Research, vol. 84, pp. 370-379. [Online] Available at: doi.org/10.1007/s00426-018-1067-7 [Accessed 10 October 2021].
Bonacini, E. (2011), Nuove tecnologie per la fruizione e valorizzazione del patrimonio culturale, Aracne, Roma.
Branchesi, L., Curzi, V. and Mandarano, N. (eds) (2017), Comunicare il museo oggi – Dalle scelte museologiche al digitale, Skira, Milano.
Cerquetti, M. (2014), Marketing museale e creazione di valore – Strategie per l’innovazione dei musei italiani, FrancoAngeli, Milano.
Dal Falco, F. (2020), “Design for Cultural Heritage Museum Experience Design – Progetto per la conoscenza e la valorizzazione di istituzioni museali a Roma”, in Di Bucchianico, G., Fagnoni, F., Pietroni, L., Piscitelli, D. and Riccini, R. (eds), 100 anni dal Bauhaus – Le prospettive della ricerca di design, Atti dell’Assemblea Annuale della Società Italiana di Design 13-14 giugno 2019, Ascoli Piceno, Società Italiana di Design, pp. 104-111. [Online] Available at: iris.uniroma1.it/handle/11573/1452887#.YY0Xl2DMJPY [Accessed 10 October 2021].
Dal Falco, F. (2018), “Lo spazio pubblico del Museo – Design and Museum experiences”, in Urbanistica Dossier, vol. 15, pp. 119-122. [Online] Available at: inuedizioni.com/it/prodotti/rivista/n-015-urbanistica-dossier [Accessed 11 October 2021].
Dal Falco, F. and Vassos, S. (2017), “Museum Experience Design – A Modern Storytelling Methodology”, in Di Lucchio, L., Imbesi, L. and Atkinson, P. (eds), Design for next | Proceedings of the 12th European Academy of Design Conference, Sapienza University of Rome, Italy, April 12-14, 2017, Taylor & Francis, Abingdon, pp. 3975-3983.
Dorfles, G. (1968), Artificio e natura, Einaudi, Torino.
Eco, U. and Pezzini, I. (2015), Le musée, demain, Casimiro.
Fonti, D. and Caruso, R. (eds) (2012), Il Museo contemporaneo – Storie esperienze competenze, Gangemi Editore, Roma.
Galli Michero, L. and Mazzotta, M. (eds) (2013), Wunderkammer – Arte, Natura, Meraviglia ieri e oggi, Skira, Milano.
Grenier, C. (2013), La fin des musées?, Éditions du Regard, Paris.
Guccione, M. (2012), Come sarà il museo del futuro? Lezioni di museografia contemporanea, MAXXI, Roma.
Harada, T., Hideyoshi, Y., Gressier-Soudan, E. and Jean, C. (2018), “Museum experience design based on multi-sensory transformation approach”, in Marjanović, D., Štorga, M., Škec, S., Bojčetić, N. and Pavković, N. (eds), DS92 – Proceedings of the DESIGN 2018, 15th International Design Conference, pp. 2221-2228. [Online] Available at: doi.org/10.21278/idc.2018.0150 [Accessed 10 September 2021].
Henning, M. (2006), “New Media”, in Macdonald, S. (ed.), A companion to Museum Studies, Blackwell Publishing Ltd, Oxford (UK), pp. 302-304.
Ince, C. and Johnson, L. (eds) (2015), The world of Charles and Ray Eames, Thames & Hudson, London.
Irace, F. (2014), Design & Cultural Heritage – Immateriale virtuale interattivo, Mondadori Electa, Milano.
Levent, N. and Pascual-Leone, A. (eds) (2014), The multisensory museum – Cross-disciplinary perspectives on touch, sound, smell, Memory, and Space, Rowman & Littlefield, Lanham (US).
Malraux, A. (1965), Le musée imaginaire, Gallimard, Paris.
Mandarano, N. (2019), Musei e media digitali, Carocci, Roma.
Marini Clarelli, M. V. (2021), Che cos’è un museo, Carocci, Roma.
O’Doherty, B. (1999), Inside the White Cube – The Ideology of the Gallery Space, UC Press, Berkeley.
Pezzini, I. (2011), Semiotica dei nuovi musei, Laterza, Roma-Bari.
Pisoni, G., Díaz-Rodríguez, N. Gijlers, H. and Tonolli, L. (2021), “Human-Centered Artificial Intelligence for Designing Accessible Cultural Heritage”, in Applied Sciences, vol. 11, issue 2, 870. [Online] Available at: doi.org/10.3390/app11020870 [Accessed 10 September 2021].
Pomian, K. (2021), Il museo – Una storia mondiale, Einaudi, Torino.
Ratti, C. and Claudel, M. (2015), Open source architecture, Thames & Hudson, London.
Saumarez Smith, C. (2006), “The future of museum”, in Macdonald, S. (ed.), A companion to Museum Studies, Blackwell Publishing Ltd, Oxford (UK), pp. 543-554. [Online] Available at: academia.edu/43662162/Companion_to_Museum_Studies [Accessed 10 November 2021].
Serota, N. (1996), Experience or interpretation – The dilemma of Museums of Modern Art, Thames and Hudson, London.
Simon, N. (2010), The Participatory Museum, Museum 2.0, Santa Cruz. [Online] Available at: participatorymuseum.org/ [Accessed 23 September 2021].
Sutera, S. (2016), ICOM Italia – Dalla nascita al 2016, Edizioni Cantagalli, Siena.
Yang, Y. H., Zhang, H. and Jiang, B. Y. (2015), “The development and educational application of editable university digital museum”, International Journal of Online Engineering, vol. 11, issue 1, pp. 13-19. [Online] Available at: online-journals.org/index.php/i-joe/article/view/3937 [Accessed 05 September 2021].
Downloads
Published
How to Cite
Issue
Section
License
This Journal is published under Creative Commons Attribution Licence 4.0 (CC-BY).
License scheme | Legal code
This License allows anyone to:
Share: copy and redistribute the material in any medium or format.
Adapt: remix, transform, and build upon the material for any purpose, even commercially.
Under the following terms
Attribution: Users must give appropriate credit, provide a link to the license, and indicate if changes were made; users may do so in any reasonable manner, but not in any way that suggests the licensor endorses them or their use.
No additional restrictions: Users may not apply legal terms or technological measures that legally restrict others from doing anything the license permits.
Notices
Users do not have to comply with the license for elements of the material in the public domain or where your use is permitted by an applicable exception or limitation.
No warranties are given. The license may not give users all of the permissions necessary for their intended use. For example, other rights such as publicity, privacy, or moral rights may limit how you use the material.
